October 10th, 2009 Marge Simpson on the cover of Playboy

aleqm5i4dgo8wdafn6ye5kqvbcrdih6wyqHave you heard that Simpsons matriarch Marge Simpson will be the first-ever cartoon to grace the cover of Playboy? In addition to the cover, she is given a few pages inside the book complete with data sheet and a two-page centerfold. You can read more about it at NPR.org.

Personally, I think it’s pretty funny and it’s a GREAT promotional coup for The Simpsons, who are celebrating their 20th anniversary on Fox this year. Thing is, it sounds like it wasn’t Fox’s idea. Sounds like the idea came from Playboy who wanted to try to draw more 20-something readers to the magazine, whose readers have a median age of around 35.

Why Marge Simpson, though? The Simpsons is still a solid enough performer on Fox, but the series is decidedly in decline. And I can’t quote viewership statistics, but my feeling is that the younger readers they are trying to appeal to aren’t necessarily Simpsons fans. My guess is that if they watch the Simpsons, they only do it to kill time until Family Guy comes on.

Family Guy skews much younger and with it’s edgier humor would seem to be a better fit for what Playboy is going for. Maybe the problem is that Playboy’s folks are skewing a lot older themselves and can’t be bothered to stay up past 9PM. Or, worse yet—and more likely—they’re too busy watching Desperate Housewives.

I like the idea behind the cartoon cover and giving a few pages on the inside—I’m even sure that the novelty will give Playboy a nice, one-issue sales bump—but I think those buyers are going to be in the 30-45 age range. If anything, the median reader age may go up for an issue.

Overall idea: B+
Probability of giving the magazine a short-term (one issue?) sales increase: 80%
Probability of achieving stated goal of drawing younger readers in: 15%

Overall grade (for Simpsons): A

Overall grade (for Playboy): F-
I would have given a C- because it is a fun idea and will result in a temporary sales bump, but they kind of botched when it comes to drawing in the younger crowd.

September 25th, 2009 New Rules for Photography

Few professions have been affected by technology as much as photography. With all of the advances in digital technology (cameras, software, etc.) photography has been completely democratized. The playing field is more even now than ever for photographers. You don’t need to go to school or spend years apprenticing, all you need is a Nikon D40 and you’re a professional photographer. I say that with my tongue firmly planted in cheek.

While I think it’s great that more people have access to photography, I can also see how much leveling the playing field has diminished the quality of photography as a whole. With the economy being pretty rough, you’ve seen a lot of people decide that they’re going to be professional photographers and the truth of it is that they’re doing pretty crappy work and hurting the craft for people who have been in it for a long time.

I suppose that I’m part of the problem. I do not sell myself as a photographer, but I do quite a bit of photography in the course of doing business. I’m not doing portrait work or anything like that, but I did take up photography as a part of my career and I’ve done quite a bit of work. Do I feel bad about taking work away from another photographer? No. I recognize that it’s a little hypocritical of my, but the truth is that I am a decent photographer and the work I am doing is good for what my clients need. When a project comes up that isn’t my bag, I’m the first one to bring in a pro or recommend someone else for the job.

All this being said, I want to propose a couple of new rules for photography.

1. Using brick walls as backgrounds is outlawed. This is not a local photographer, but this is the sort of thing I’m seeing everywhere. It’s tired and it’s boring. Every other senior portrait taken these days is using an alley or a building as a backdrop. BORING BORING BORING! Friday weddings are all the rage right now and I see these party buses pull up outside the studio and use one of the buildings as the backdrop for their “creative and fun” photos. Several have used my studio as a backdrop as have several people doing senior portraits.

2. The black-and-white-photo-with-one-object-in-color effect achieved in Photoshop is outlawed. Holy crap is this awful. With great technological capabilities comes great responsibility. Stop doing this. It was a creative and unique thing a decade ago. Now it’s just played out.

Do you want to be a professional photographer? Do you want the respect of your peers? Adhere to these rules! Stop being a follower and create the next really boring photo cliché! Much like the globe in senior portraits and the finger-thumb on the chin, there are many more terrible ideas that you could be executing. If you’re going to suck at something, you could at least do it in an original way.

September 16th, 2009 Rebranding. Again.

I received an e-mail a couple of weeks ago that Tri-City Monthly Lifestyle Magazine is changing its name to Great Lakes Bay Regional Lifestyle Magazine. This rebranding comes within a couple of years of the magazine’s previous rebranding project. Launched 5 or 6 years ago as Interlude, the magazine wanted a greater regional appeal so they settled on Tri-City Magazine. I never cared for the name Interlude, so even the unimaginative Tri-City Magazine was a change for the better.

For any established institution to undertake a rebranding project is a pretty big deal and to do it twice in two years is a risky proposition. Any momentum you have gained with the initial rebrand stands to suffer a little bit with a second rebrand. On top of that, changing the name and then changing it again so soon after will give some people an impression that the magazine is not stable or lacks direction. In the magazine’s defense, due to some big internal changes, I can attest to the fact that they are now probably more stable than they’ve ever been. With the recent changes as well as the editorial changes that took place a couple of years ago, I think the overall content and presentation are better now than they’ve ever been.

While I don’t like the idea of rebranding so hot on the heels of another rebrand, my real issue isn’t that they’re changing the name again, but what they’re changing the name to. Great Lakes Bay Regional Lifestyle Magazine? Really? I have to admit that I am surprised that Tri-City drank the Kool-Aid on this one. When the local communities first unveiled “Great Lakes Bay Region” as the new name for the regional brand, I wasn’t particularly wowed by it. I think the name is way too long, doesn’t lend itself well to certain applications, and I don’t much care for the logo. In branding terms, that’s three strikes against you.

Right away, though,you saw a lot of businesses jumping on board. Public radio quit calling it the Tri-Cities and started using the GLBR moniker. Newspapers quickly updated their style guides to push the new regional brand. My problem with the magazine changing their name, though, is that I think they are the first business to make the regional brand a part of their identity. In effect, they let somebody else name their business. And until then you are saddled with a magazine name that’s as long as an entry in the dictionary.

I don’t think you’re ever going to see an everyday person on the street refer to this region as the Great Lakes Bay Region. As I’ve written about (at length)—it’s just not a great name. There’s no tongue appeal to it. It’s not sexy. It’s just…wordy. Try slipping Great Lakes Bay Region into casual conversation. It’s not easy to do without sounding like you’re selling something. What happens in a few years if this brand doesn’t catch on and people just stop using it? Do you change your name again?

This name change just seems like they are trying to fall in line with what the regional chambers of commerce want. Why let somebody from outside dictate what your identity is? What’s next? Give the chambers final editorial approval on the articles and ads? We’re not talking Woodward & Bernstein here, but tying a publication too tightly to local business interests takes away any appearance of journalistic integrity.

I think Tri-City would have done well to just leave it alone and keep their name. Or, if they are really committed to rebranding, take some time and actually come up with a solid identity. There are some really talented and creative folks working at the magazine, they could come up with something great if they were given the opportunity.

September 11th, 2009 Congratulations, Victor Garate!

garateLeft-handed pitcher Victor Garate became the second alum of the Great Lakes Loons to crack a major league roster when we was acquired by the Washington Nationals (admittedly, calling the Nats “major league” is a bit of a stretch–one baseball professional I know referred to Washington as Quadruple-A ball). After a solid season at AA Chattanooga, the Nationals picked up Garate as the player to be named in the Ronnie Belliard/Luis Garcia trade. The Nats claimed Garate off waivers and immediately put him on their big league (again, a stretch) roster. Garate made his major league debut pitching in relief on September 5th, giving up 2 earned runs in one inning.

I’m sure he wasn’t happy with that first outing, but hopefully he is going to get the chance to make the most of his first chance to be in the show.

Congratulations, Victor. Everybody here in mid-Michigan is rooting for you.

August 30th, 2009 Font Change or Self-Sabotage?

ikeaHow much attention do you pay to the fonts you use everyday? If you’re like most people, you probably have a few favorites, but don’t worry about it too much. Now how about this…how much attention do you pay to the fonts that other people use?

There is a little bit of an uproar on the internet recently over stylish-but-affordable furniture retailer Ikea switching the fonts they use in their advertising. For a long time, Ikea had used a customized version of Futura in most of their advertising. If you’ve ever seen an Ikea catalog or ad, maybe you can picture the big, bold prices accompanied by a brief description. All of their advertising had a consistent look which helped bolster their overall brand image. In addition, the use of a custom version of a classic font showed that Ikea really did pay attention to design.

So why the brouhaha over a simple font change? The problem, for most people, is that they switched to Verdana. Verdana is a font that many people are familiar with (even if they don’t realize it) because it is a free font distributed by Microsoft. It’s probably found on just about every computer in the universe. I’ll bet you they even have Verdana on the International Space Station. Except there it’s SPACE Verdana…that’s pretty sweet.

The font itself, isn’t terrible. It’s just sort of boring. It was designed very specifically for use on computer screens. Loose letterspacing and tall lower-case letters give Verdana an overall looser look. This is so that it’s easier to read on screen—letters don’t plug up or run too close together. And for that purpose, Verdana performs perfectly. It is a very good utilitarian design.

But to take this on-screen font and use it for print work shows, in many designers’ minds, a lack of respect for design. Complaints about the font range from finding the cheapest option available (free) to the easiest solution due to it being readily available around the world. Neither of these show the same sort of concern for design that Ikea shows with every single one of it’s nearly 10,000 items. Each silverware tray has a fun name, unique design—in short, each product fits in with the Ikea brand image. Using Verdana does not fit into the Ikea ethos.

Personally, I’m not freaking out about the font. I’ve seen print pages with the new font and while I don’t love it, it doesn’t ruin it for me. To be totally honest, I think that a lot of the uproar is because it’s a font created and distributed by Microsoft. Microsoft and the design community don’t generally play well together. It’s not the Mac-vs-PC thing, though, so much as it is that Microsoft tends to devalue professional design. By putting out products like MS Publisher with 15 zillion templates, they tell people that everybody can be their own designer.

The moral of this story is this: um…I don’t know. I have to admit that it would be pretty sweet, though, if 989 Design ever got so big that people got pissed off about the font I used on my site. I think I’ll make that one of my goals. Become huge, cause font uproar.