It’s awards season. In the past five weeks or so, we’ve seen the Grammys, Independent Spirit and Academy Awards shows all come and go. I didn’t win anything.

Awards aren’t limited to the entertainment industry, though. There is also a local award called the Ruby Award. It goes out to like a dozen or so local people who are all making significant contributions to the community. I didn’t get one of those, either. And I never will because it’s only for people under 40 and since I am turning 40 in about a month, this was the last year that I would have been eligible. Shut out of the Ruby Awards? Was it because I don’t make a significant contribution or am I just not under 40 enough? I guess we’ll never know.

On top of all of these awards which I will not be winning, there are graphic design and advertising awards—hundreds of them, maybe even thousands—and I won’t be winning any of them, either. 

Do I feel bad about it? No, not really. I just got thinking about it because almost every day I get another mailer from another organization reminding me of the deadline to enter a design in this contest or that. Some of the awards are legit—I’m looking at you Clio, Addy and Communication Arts—and some are not. Well, it isn’t that they aren’t legit, but many of them come from organizations you have never heard of before. And every year there are more and more of them. They are like award factories.

The business of charging people to enter design competitions in return for an award is becoming a very big business. It’s starting to remind me of the Who’s Who scam…you get a free listing in Who’s Who in Animal Husbandry or whatever. And for just $15 you can include a photo. $25 more and you get a copy of the book. It’s the pay-to-play aspect that I don’t care for.

If you go to many designers’ sites, you will to see them trotting out their awards. And I don’t blame them, they’ve earned the awards. Moreover, they paid for them. With entry fees running $85 and sometimes more, it gets expensive pretty quickly. That’s part of why you see the bigger agencies winning more awards—they can absorb that cost in their overhead because it’s a much smaller percentage of their monthly budget. Even a couple of entries a month would be a big chunk for us—realistically the $150 covers my electric and internet bills for a month. 

Don’t get me wrong, trophies are nice to look at, but does anybody really pay attention? If you go to a large ad agency, one of the first things you see when you walk in the front door is the trophy case. At Integer we had a big case filled with Addys and Clios and so forth. It makes for a nice show if you’re doing the dog-and-pony, but does anybody really know what these trophies are? Maybe I will go to the thrift store and buy a bunch of old bowling trophies and just put them up on display in the studio.

I only mention any of this because if you are looking to hire an award-winning designer, I’m not your guy. 989 Design is a small studio and there are just the two of us working here. It’s not like a few entries is going to break the bank, but I don’t see that the benefit outweighs the cost. What’s the best thing that happens when you win an award? You get the respect of your peers, which would be nice, but I don’t really need that sort of approval, except from my clients. And I suppose that if someone were hiring a designer based on how many awards they’ve won, they probably aren’t the right fit for 989 Design. Seems a little uptight and that’s just not our style.

I’d rather just keep doing good work and doing our best to keep our overhead low. Our goal isn’t to be a cheap design studio because that isn’t what we are, but keeping our overhead low gives us a little flexibility when it comes to pricing our projects.

If a no-cost competition comes along, maybe we will send something in. In fact, now that I think about it, I have entered one design competition in my career. It was a no-cost-to-enter competition sponsored by a paper manufacturer. I have never printed on a particular stock just to be able to enter a competition, but I happened to use the right stock and I was really proud of how it came out. A few months later I received a package in the mail that informed me that I was, in fact, not a winner. I thought maybe I’d get an honorable mention or something, but not even that. I remember being really disappointed about it, too. 

Regarding the image above: I did not draw or create the bottle cap image. I came across it years ago and was not able to find the original source of the art. I wish I had because I’d like to give credit where credit is due, but I guess I’ll just have to settle for not taking credit for someone else’s work.